Anti-Music Dr M. Moehninsi

Anti-Music Dr M. MoehninsiExamines how African American jazz music was received in Germany both as a racial and cultural threat and as a partner in promoting the rise of Nazi totalitarian cultural politics. Anti Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left wing and right wing interests: for the left, jazz marked the death knell of

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Fanny Kemble's American reading career

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the volume's contributors shed light on distinctive regional dimensions of African American political and church life that bear in significant ways on both the mobilization of civil rights activism and the achievement of its goals

Sankt Ignatios College