Rude in the Good Way récits

Rude in the Good Way récitsRude in the Good Way explores desire as both subject and method within Roe Ethridges complex visual bricolage of commercial glamour, errant snapshots, private sexuality and studio play. Working through his characteristically oblique, offhand style, Ethridge lets sexuality, identity, seduction and the camera drift into the same plane, never fully separating one from the other. Loosely woven fugues of images converge, always cheekily winking toward

comme le «traître» Jacques Mousso

a red-painted table become loaded with symbolic weight

Soth a assumé le rôle de plus en plus obsolète de journaliste de journal communautaire

avantgarde theatre and women's craft practices in rural communities in conflict areas

tiré de faits réels

the MACS is staging a major retrospective which brings together a number of his paintings

The images in this archive cover a wide array of subjects

or transformation as the nights draw in

accumulated and carefully assembled over the years in twenty-four different folders

Water Over Thunder is the first publication devoted to Sultan’s wideranging use of writing as a personal

Impression risographie \n(Imprimé par Studio Fidèle) \n4 couleurs \nFormat 42 x 29

l'italienne ZUZU réalise un roman graphique puissant