Samuel Richardson as Anonymous Editor and Printer Social and cultural history

Samuel Richardson as Anonymous Editor and Printer Social and cultural historyDuring the first two decades of his career, Richardsons role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723 24) and The Weekly Miscellany (1732 41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither

This book investigates uncertainty as a governing practice from the unique vantage point of ‘citizenisation’ - twenty-first-century integration and naturalisation measures that make and unmake citizens and migrants

advertising material from the Rowntree and Cadbury companies and archival material

It is a clear and innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality

Anglo-American State or Irish Nation

Addressing myriad marketing

this book delivers a rare glimpse into the history of film production practices in Hong Kong

until Angela Merkel sharply recalibrated German and EU policy towards Moscow

It demonstrates how questions of Irishness intersected with broader ideas of citizenship

print history

thematic and historiographical challenges posed by Howells' performances

to overt confrontation

from American expansion into the Pacific to the creation of the Soviet gulags in Siberia to the end of the Vietnam War