Amsterdam POURING MEDIUM 250ML Van Gogh Oil ColourChange the flow of your Amsterdam acrylic paint or acrylic ink by adding Amsterdam pouring medium. This medium is specifically developed to be self leveling and increases the flexibility of the paint film to prevent cracking. Depending on the desired flow, you can adjust the mixing ratio to your liking. Milky white when wet, dries colorless and transparent Shake well before use Affects the degree of gloss Self leveling Does not affect the drying time
This 60ml tube of opaque Titanium White Linseed Oil 118 is formulated with pigment(s) PW6/PW4 and has a lightfastness rating of +++ (100+ years under museum conditions)
· Can be applied directly or mixed with acrylic paint · Can be painted over with acrylic paint · Can be applied in thick layers · Waterproof when dry · Clean utensils with water · Apply at temperatures above 10° C and store free of frost · Proudly crafted in the Netherlands
Azo yellow light (246)
Contents: 12 x 20 ml (105 Titanium White - 276 Azo Orange - 315 Pyrrole Red - 519 Ultramarine Violet Light - 504 Ultramarine - 570 Phthalo Blue - 227 Yellow Ochre - 411 Burnt Sienna - 403 Vandyke Brown - 708 Payne’ s Grey - 735 Oxide Black - 840 Graphite)
This 40ml tube of transparent Indian Yellow 244 is formulated with pigment(s) PY110 and has a lightfastness rating of +++ (100+ years under museum conditions)
cadmium and cobalt) · Available in 218 very pure and intense colours · Skilfully crafted in the Netherlands since 1899 Contents: 60 whole pastels (100
Cobra oil colour in Pyrrole Red 315 is a semi-opaque colour with excellent lightfastness (+++)
This half pan of Madder Lake Deep 331 is formulated with pigment(s) PR264
siccatives · Increases the durability and elasticity of the paint film · Makes the brush stroke run
press down firmly and carefully rub away any air bubbles
Purpose: Durable protection of an oil painting (final varnish) Composition: Acrylic resin
Properties: · Can be thinned with water · Makes paint thinner without using harmful solvents · Less short-term colour change compared to mixing with water · Increases transparency · Makes the brush stroke run slightly · Gives paint a nicer sheen compared to mixing with water · Allows paint to dry faster
