Fine Print: Glasgow, Scotland, 1980 On Set

Fine Print: Glasgow, Scotland, 1980 On SetIn 1980, Raymond Depardon was commissioned by The Sunday Times Magazine to photograph Scotlands largest city: Glasgow, on the River Clyde. The city has long been known for its architectural heritage from its majestic Victorian squares to stern rows of tenements and brutal industrial giants much of this building being the product of the citys great Victorian era wealth. However, in spite of this prosperous past and the citys pivotal role in Britains

we follow Guillermina and Belinda from ages 14 to 24 as they negotiate the fluid territory between adolescence and young adulthood

In this subjective

a young photographer of 23

which were otherwise cut off from the rest of society

the surreal scene unfolds against a backdrop of bustling theater marquees and vintage taxis

the breakup of the Soviet Union became inextricably linked to a familial reconciliation

French photojournalist Jean Gaumy captured the fierce conditions facing the fishermen who worked on open-deck trawlers

İsmet İnönü

Michael Douglas

Like Artaud

become mutually transformed

was an assortment of homeless men and women